1 00:00:01,402 --> 00:00:04,105 Carla: HEY, "CHEERS" IS FILMED BEFORE A LIVE STUDIO AUDIENCE. 2 00:00:13,447 --> 00:00:16,617 CLIFFIE, DON'T LOOK NOW, 3 00:00:16,650 --> 00:00:19,087 BUT THERE ARE TWO CHICKS AT THE END OF THE BAR 4 00:00:19,120 --> 00:00:20,554 STARING AT US. 5 00:00:20,588 --> 00:00:22,656 YOU'RE CRAZY. 6 00:00:22,690 --> 00:00:24,192 I'M TELLING YOU, THEY'VE BEEN STARING AT US FOR AT LEAST 20 MINUTES. 7 00:00:24,225 --> 00:00:25,693 WHAT, DO WE LOOK WEIRD OR SOMETHING? 8 00:00:25,726 --> 00:00:26,794 WELL, YOU DO. 9 00:00:26,827 --> 00:00:28,396 WHY? 10 00:00:28,429 --> 00:00:30,231 'CAUSE YOU'RE TALKING OUT OF THE SIDE OF YOUR MOUTH. 11 00:00:35,303 --> 00:00:38,239 I'M TELLING YOU, THEY CAN'T TAKE THEIR EYES OFF US. 12 00:00:38,272 --> 00:00:40,308 OHH! 13 00:00:40,341 --> 00:00:43,411 WELL, THERE'S ONLY ONE WAY TO BE SURE NOW. 14 00:00:43,444 --> 00:00:45,613 YOU JUST TOODLE DOWN TO THE OTHER END OF THE BAR 15 00:00:45,646 --> 00:00:47,315 AND SEE IF THEIR EYES FOLLOW US, EH? 16 00:00:47,348 --> 00:00:48,749 ALL RIGHT. 17 00:00:48,782 --> 00:00:50,484 [CLEARS THROAT] 18 00:00:50,518 --> 00:00:52,853 SO ARE THEY LOOKING? THEY LOOKING? 19 00:00:52,886 --> 00:00:54,822 YEP. 20 00:00:58,226 --> 00:01:01,295 I'D SAY THOSE SUPPLE YOUNG PETUNIAS DEFINITELY WANT US NOW. 21 00:01:01,329 --> 00:01:04,098 MM-HMM. 22 00:01:04,132 --> 00:01:05,666 SO WHAT DO WE DO NOW? 23 00:01:05,699 --> 00:01:08,736 AAHH, JUST TAKE A WALK OVER THERE. 24 00:01:08,769 --> 00:01:10,704 HMM. I WILL IF YOU WILL. 25 00:01:10,738 --> 00:01:12,506 OK. 26 00:01:14,308 --> 00:01:16,544 ON SECOND THOUGHT, WHY DON'T WE JUST 27 00:01:16,577 --> 00:01:18,379 PLAY IT COOL HERE FOR A WHILE, HUH? 28 00:01:18,412 --> 00:01:20,448 YEAH, YEAH, WE LET THEM COME TO US. 29 00:01:20,481 --> 00:01:24,685 YEAH, YEAH, THOSE BABES ARE REALLY HOT FOR US, HUH? 30 00:01:24,718 --> 00:01:28,156 THAT'S IT, FOLKS. CLOSING TIME. SORRY. 31 00:01:28,189 --> 00:01:29,523 WHOOP, HERE THEY COME, NORM, MOVING IN FOR THE KILL. 32 00:01:29,557 --> 00:01:30,624 THANK YOU, GIRLS. 33 00:01:34,228 --> 00:01:35,596 EXCUSE ME. 34 00:01:36,864 --> 00:01:40,134 MY FRIEND AND I WERE WONDERING IF YOU GUYS KNOW 35 00:01:40,168 --> 00:01:42,470 A LATE NIGHT SPOT TO GO TO. 36 00:01:42,503 --> 00:01:44,638 YOU KNOW, SOMEPLACE A LITTLE FUN. 37 00:01:48,876 --> 00:01:50,778 UH... 38 00:01:50,811 --> 00:01:54,248 UH... 39 00:01:54,282 --> 00:01:56,917 UH...UH... 40 00:01:56,950 --> 00:01:58,252 UH... 41 00:01:58,286 --> 00:02:01,589 I, UH... 42 00:02:01,622 --> 00:02:02,823 WHAT WAS THAT? 43 00:02:02,856 --> 00:02:05,459 AHHHH... 44 00:02:05,493 --> 00:02:08,696 AHHHH. 45 00:02:08,729 --> 00:02:10,864 THESE GUYS ARE MARTIANS. 46 00:02:10,898 --> 00:02:13,267 COME ON, THEY'RE NERDS. 47 00:02:13,301 --> 00:02:16,270 THEIR LOSS. 48 00:02:16,304 --> 00:02:18,472 [GROANING] 49 00:02:27,948 --> 00:02:31,185 * MAKIN' YOUR WAY IN THE WORLD TODAY * 50 00:02:31,219 --> 00:02:34,188 * TAKES EVERYTHING YOU'VE GOT * 51 00:02:34,222 --> 00:02:36,557 * TAKIN' A BREAK FROM ALL YOUR WORRIES * 52 00:02:36,590 --> 00:02:39,893 * SURE WOULD HELP A LOT 53 00:02:39,927 --> 00:02:43,564 * WOULDN'T YOU LIKE TO GET AWAY? * 54 00:02:45,533 --> 00:02:48,636 * SOMETIMES YOU WANNA GO 55 00:02:48,669 --> 00:02:52,940 * WHERE EVERYBODY KNOWS YOUR NAME * 56 00:02:52,973 --> 00:02:58,212 * AND THEY'RE ALWAYS GLAD YOU CAME * 57 00:02:58,246 --> 00:03:00,614 * YOU WANNA BE WHERE YOU CAN SEE * 58 00:03:00,648 --> 00:03:02,950 * OUR TROUBLES ARE ALL THE SAME * 59 00:03:02,983 --> 00:03:07,988 * YOU WANNA BE WHERE EVERYBODY KNOWS YOUR NAME * 60 00:03:08,021 --> 00:03:10,591 * YOU WANNA GO WHERE PEOPLE KNOW * 61 00:03:10,624 --> 00:03:13,461 * PEOPLE ARE ALL THE SAME * 62 00:03:13,494 --> 00:03:14,828 * YOU WANNA GO 63 00:03:14,862 --> 00:03:18,666 * WHERE EVERYBODY KNOWS YOUR NAME * 64 00:03:28,809 --> 00:03:31,245 [BOTH GROANING] 65 00:03:38,519 --> 00:03:41,255 WELL, THEY'VE... GONE NOW, CLIFF. 66 00:03:41,289 --> 00:03:43,857 YOU CAN TURN OFF THE CHARM. 67 00:03:43,891 --> 00:03:47,861 YEAH, UH...YOU WERE REAL SMOOTH YOURSELF THERE NOW. 68 00:03:47,895 --> 00:03:50,698 LISTEN TO CARY GRANT HERE. THAT WAS HUMILIATING. 69 00:03:50,731 --> 00:03:53,367 YEAH, WELL, WHAT DIFFERENCE DOES IT MAKE? 70 00:03:53,401 --> 00:03:56,937 THEY WEREN'T THAT GOOD-LOOKING ANYWAY. 71 00:03:56,970 --> 00:04:00,341 ABSOLUTELY. 72 00:04:00,374 --> 00:04:03,311 WE ALMOST TOOK THE MIDNIGHT TRAIN TO BOW-WOW CITY. 73 00:04:03,344 --> 00:04:05,012 YOU'RE RIGHT. 74 00:04:05,045 --> 00:04:08,382 HEY, I'VE SEEN BETTER LEGS ON A POOL TABLE! 75 00:04:08,416 --> 00:04:10,284 YEAH! HEY, YOU COULD USE THAT CHEST FOR A STRAIGHTEDGE! 76 00:04:10,318 --> 00:04:11,552 HEY, HEY, HEY, IF YOU EVER COME BACK, 77 00:04:11,585 --> 00:04:13,554 PUT A BAG OVER YOUR HEAD! 78 00:04:13,587 --> 00:04:14,922 NO, A GUNNYSACK-- IT'LL COVER MORE! 79 00:04:14,955 --> 00:04:16,557 HEY! 80 00:04:32,706 --> 00:04:37,478 AHH! GREAT EATS, DIANE. THANKS. 81 00:04:37,511 --> 00:04:42,416 HOW DID YOU ENJOY YOUR ROGNONS DE VEAU AU CHARTRERE? 82 00:04:42,450 --> 00:04:44,485 AH, YES! MMM...AH! 83 00:04:44,518 --> 00:04:47,020 WAS THAT THE GREEN STUFF? 84 00:04:49,757 --> 00:04:52,893 NO. THAT WAS THE BROWN STUFF. 85 00:04:52,926 --> 00:04:56,864 GOOD. THAT GREEN STUFF KIND OF REPEATS ON YOU. 86 00:04:56,897 --> 00:04:59,667 I'M DREADFULLY SORRY. 87 00:04:59,700 --> 00:05:00,934 QUITE ALL RIGHT, QUITE ALL RIGHT. 88 00:05:04,638 --> 00:05:08,676 WELL, I AM GOING TO CHECK SOME SCORES OUT ON THE TUBE HERE, 89 00:05:08,709 --> 00:05:10,711 I THINK. 90 00:05:10,744 --> 00:05:12,079 AHH. 91 00:05:12,112 --> 00:05:14,014 YOU KNOW, SAM. 92 00:05:14,047 --> 00:05:16,750 I WENT TO A LOT OF TROUBLE WITH THIS MEAL. 93 00:05:16,784 --> 00:05:18,652 SO DID I. 94 00:05:20,120 --> 00:05:21,789 COME ON, COME ON, COME ON, I'M JOKING. 95 00:05:21,822 --> 00:05:24,358 IT WAS WONDERFUL. THANK YOU VERY MUCH. 96 00:05:24,392 --> 00:05:27,495 IT'S SUCH A PLEASURE TO COOK FOR A GOURMAND. 97 00:05:27,528 --> 00:05:29,430 YES, I'M THAT. 98 00:05:31,765 --> 00:05:35,035 SAM, WHAT'S HAPPENING TO US? 99 00:05:35,068 --> 00:05:36,504 YOU REPEATING, TOO? 100 00:05:40,674 --> 00:05:44,478 WELL, A LITTLE, BUT THAT'S NOT WHAT I'M TALKING ABOUT. 101 00:05:44,512 --> 00:05:47,581 WE'RE BECOMING HUMDRUM, ROUTINE. 102 00:05:47,615 --> 00:05:49,617 OH, I'LL TELL YOU WHAT. 103 00:05:49,650 --> 00:05:51,852 AFTER MY MEAL SETTLES HERE, I'LL ATTACK YOU. 104 00:05:54,054 --> 00:05:56,890 WELL, YOU MAY BE IN THE MOOD EARLIER THAN YOU THINK. 105 00:05:56,924 --> 00:05:59,927 YOU MAKE YOURSELF COMFORTABLE. 106 00:05:59,960 --> 00:06:01,862 I'M GOING TO TAKE CARE OF SOMETHING IN THE OTHER ROOM. 107 00:06:01,895 --> 00:06:04,131 YOU GOT IT. 108 00:06:04,164 --> 00:06:05,533 [KNOCK ON DOOR] 109 00:06:05,566 --> 00:06:08,436 WHO'S THERE? 110 00:06:08,469 --> 00:06:09,903 ME. WHO'S THERE? 111 00:06:11,539 --> 00:06:13,574 COACH? 112 00:06:13,607 --> 00:06:15,476 NO, I'M COACH. 113 00:06:20,614 --> 00:06:22,082 WHAT THE HELL YOU DOING HERE, COACH? 114 00:06:22,115 --> 00:06:24,485 WELL, AT LEAST WE GOT THAT STRAIGHT. 115 00:06:24,518 --> 00:06:27,555 SAM, LISTEN, WE ALMOST HAD THE MOST INCREDIBLE DISASTER. 116 00:06:27,588 --> 00:06:28,922 LOOK AT THIS TV GUIDE. 117 00:06:28,956 --> 00:06:31,459 WHAT...WHOA! 118 00:06:31,492 --> 00:06:32,726 "THUNDER ROAD". 119 00:06:32,760 --> 00:06:35,162 Both: MITCHUM! 120 00:06:35,195 --> 00:06:37,765 WE HAVEN'T MISSED A MITCHUM MOVIE TOGETHER 121 00:06:37,798 --> 00:06:40,534 IN OVER 12 YEARS. 122 00:06:40,568 --> 00:06:41,769 COME ON, COME ON, WE DON'T WANT TO MISS THE BEGINNING. 123 00:06:41,802 --> 00:06:43,737 OH, MITCH WOULDN'T START WITHOUT US. 124 00:06:46,206 --> 00:06:48,476 SAM, WE'RE GOING TO NEED SOME MUNCHIES. 125 00:06:48,509 --> 00:06:50,444 YEAH, DIANE'S GOT SOME. 126 00:06:50,478 --> 00:06:53,514 LISTEN, SAM, WHILE YOU'RE UP, TURN DOWN THE LIGHTS, 127 00:06:53,547 --> 00:06:56,584 WILL YOU? THERE'S A TERRIBLE GLARE ON THE SCREEN. 128 00:07:12,933 --> 00:07:14,535 TAKE ME, YOU BARBARIAN. 129 00:07:14,568 --> 00:07:16,136 HI, DIANE. 130 00:07:16,169 --> 00:07:18,105 AAH! 131 00:07:18,138 --> 00:07:19,540 [DOOR SLAMS] 132 00:07:19,573 --> 00:07:22,910 DIANE, YOU'RE GOING TO MISS "THUNDER ROAD". 133 00:07:24,578 --> 00:07:26,547 WHAT HAPPENED HERE, COACH? 134 00:07:26,580 --> 00:07:29,850 NOTHING YET, SAM. THEY'RE JUST GOING UP THE ROAD. 135 00:07:29,883 --> 00:07:31,485 NO, I MEANT WITH DIANE. 136 00:07:31,519 --> 00:07:32,986 HEY, DIANE. YOU ALL RIGHT? 137 00:07:36,890 --> 00:07:39,993 WHAT IS COACH DOING HERE? 138 00:07:40,027 --> 00:07:42,062 HE'S WATCHING "THUNDER ROAD". 139 00:07:42,095 --> 00:07:45,165 WE ALWAYS WATCH ROBERT MITCHUM MOVIES TOGETHER. 140 00:07:45,198 --> 00:07:49,102 SAM, IT'S A BAD TIME RIGHT NOW. 141 00:07:49,136 --> 00:07:51,539 WELL, I KNOW, HONEY, 142 00:07:51,572 --> 00:07:53,774 BUT IT'S KIND OF AN TRADITION THAT GOES BACK WITH US 143 00:07:53,807 --> 00:07:55,643 FOR YEARS. I MEAN, HE'S OUR FAVORITE ACTOR. 144 00:07:55,676 --> 00:07:56,844 NEVER, UNDER ANY CIRCUMSTANCES, 145 00:07:56,877 --> 00:07:58,879 DO WE MISS ONE OF HIS MOVIES. 146 00:07:58,912 --> 00:08:01,515 BUT I CAME OUT OF THE BEDROOM 147 00:08:01,549 --> 00:08:04,117 AND I'M SO EMBARRASSED BECAUSE OF THE WAY I WAS DRESSED. 148 00:08:04,151 --> 00:08:05,653 COME IN HERE, I'LL SHOW YOU WHAT I MEAN. 149 00:08:05,686 --> 00:08:07,955 COME ON. 150 00:08:07,988 --> 00:08:11,224 COACH, SCRAM! OUT! 151 00:08:11,258 --> 00:08:12,926 WHAT? 152 00:08:15,295 --> 00:08:16,930 WHAT'S WRONG? 153 00:08:16,964 --> 00:08:19,066 SAM. 154 00:08:19,099 --> 00:08:21,234 A LITTLE TACT. 155 00:08:21,268 --> 00:08:23,103 I'M SORRY. COACH, LISTEN. 156 00:08:23,136 --> 00:08:24,304 WHAT? 157 00:08:24,337 --> 00:08:28,075 DIANE AND I HAD THIS, UH... 158 00:08:28,108 --> 00:08:30,911 SPECIAL EVENING GOING HERE, AND... 159 00:08:30,944 --> 00:08:33,614 SHE JUST FIXED ME A MEAL IN ALL MY FAVORITE COLORS, 160 00:08:33,647 --> 00:08:36,249 AND CHANGED INTO SOMETHING FRILLY THERE... 161 00:08:36,283 --> 00:08:39,086 OH! AND I COME BARGING IN ON YOU. 162 00:08:39,119 --> 00:08:41,021 GEE, SAM, I WASN'T EVEN THINKING. 163 00:08:41,054 --> 00:08:42,956 DIANE, PLEASE FORGIVE ME. 164 00:08:42,990 --> 00:08:44,558 I'D NEVER WANT TO GET IN YOUR WAY. 165 00:08:44,592 --> 00:08:45,959 I'M SORRY, HON. 166 00:08:45,993 --> 00:08:48,295 THANK YOU FOR UNDERSTANDING, COACH. 167 00:08:48,328 --> 00:08:49,830 WHEN YOU LIVE ALONE, 168 00:08:49,863 --> 00:08:52,199 YOU TEND TO FORGET THAT OTHER PEOPLE HAVE LIVES. 169 00:08:58,672 --> 00:09:01,642 ARE YOU FEELING WHAT I'M FEELING? 170 00:09:01,675 --> 00:09:04,311 YEAH. POOR COACH. 171 00:09:06,213 --> 00:09:09,316 WELL, WE HAVE SO MANY HOURS TOGETHER, 172 00:09:09,349 --> 00:09:11,318 AND I GUESS IT'S KIND OF SELFISH 173 00:09:11,351 --> 00:09:13,921 NOT TO SPEND A LITTLE TIME WITH HIM, HUH? 174 00:09:13,954 --> 00:09:16,256 YOU'RE RIGHT. I'LL GO GET HIM. 175 00:09:16,289 --> 00:09:18,325 GOOD. I BET YOU CAN CATCH HIM ON THE STEPS. 176 00:09:21,094 --> 00:09:23,096 COACH, WHY ARE YOU STANDING THERE? 177 00:09:23,130 --> 00:09:26,299 MY COAT GOT CAUGHT IN THE DOOR, SAM. 178 00:09:26,333 --> 00:09:29,670 I DIDN'T HAVE THE HEART TO BOTHER YOU AGAIN. 179 00:09:29,703 --> 00:09:32,039 GOOD NIGHT, DIANE. GOOD NIGHT, SAM. 180 00:09:33,807 --> 00:09:35,976 NO, NO, COACH, COACH. COME HERE, COME HERE. 181 00:09:36,009 --> 00:09:38,646 LISTEN, YOU'RE GOING TO WATCH "THUNDER ROAD" WITH US TONIGHT. 182 00:09:38,679 --> 00:09:39,780 COME ON, SIT DOWN. 183 00:09:39,813 --> 00:09:41,381 REALLY, YOU MEAN IT? 184 00:09:41,414 --> 00:09:44,317 YOU BET. COME ON OVER. NOW I'VE NEVER SEEN THIS, 185 00:09:44,351 --> 00:09:46,754 SO YOU'RE GOING TO HAVE TO FILL ME IN ON WHAT'S HAPPENED. 186 00:09:46,787 --> 00:09:48,756 OH, I KNOW EVERY LINE IN THIS PICTURE, DIANE. 187 00:09:48,789 --> 00:09:50,924 NOW HERE'S MY FAVORITE PART. 188 00:09:58,866 --> 00:10:01,001 YOU KNOW, WHEN I'M IN CHARGE OF THE BAR, 189 00:10:01,034 --> 00:10:03,103 I KNOW WHAT GOD FEELS LIKE. 190 00:10:03,136 --> 00:10:04,371 HOW'S THAT? 191 00:10:04,404 --> 00:10:06,306 IT'S LIKE I'M IN COMPLETE CONTROL 192 00:10:06,339 --> 00:10:07,775 OF PEOPLE'S DESTINIES. 193 00:10:07,808 --> 00:10:09,843 YEAH, LIKE, I CAN MAKE THEIR DRINKS TOO STRONG 194 00:10:09,877 --> 00:10:11,344 SO THEY GET SICK. 195 00:10:11,378 --> 00:10:14,047 OR I CAN WATER THEM DOWN 196 00:10:14,081 --> 00:10:16,950 SO THEY'RE PAYING FOR NOTHING. YEAH. 197 00:10:16,984 --> 00:10:19,352 OR IF I DON'T LIKE THEIR ATTITUDES, I CAN SPIT IN IT. 198 00:10:27,695 --> 00:10:30,197 CARLA, YOU'RE NOT STILL UPSET 199 00:10:30,230 --> 00:10:32,866 ABOUT THAT LITTLE ARGUMENT WE HAD THE OTHER DAY? 200 00:10:32,900 --> 00:10:35,869 YOU TELL ME. 201 00:10:46,780 --> 00:10:49,783 OH, UH, HEY, CARLA, LISTEN, I'M SORRY ABOUT THIS MORNING 202 00:10:49,817 --> 00:10:52,119 WHEN I CALLED YOU A SAWED OFF WITCH. 203 00:11:04,798 --> 00:11:07,801 HI THERE. I'M SAM MALONE. 204 00:11:07,835 --> 00:11:09,469 MAYBE YOU REMEMBER ME FROM ABOUT A MONTH AGO 205 00:11:09,502 --> 00:11:11,839 BEFORE YOU AND I BECAME A THREESOME? 206 00:11:11,872 --> 00:11:14,141 YES, YES, I RECOGNIZE YOU NOW. 207 00:11:14,174 --> 00:11:16,176 YOU SHAVED OFF YOUR PANTUSO. 208 00:11:16,209 --> 00:11:17,845 THAT'S IT. THAT'S IT. 209 00:11:17,878 --> 00:11:20,213 OH, SAM. 210 00:11:20,247 --> 00:11:21,314 I KNOW. 211 00:11:21,348 --> 00:11:23,483 I CAN'T TAKE IT ANYMORE. 212 00:11:23,516 --> 00:11:27,187 WE NEVER GO ANYPLACE WITHOUT THE COACH. 213 00:11:27,220 --> 00:11:29,990 I DON'T EVEN INVITE HIM ANYMORE. HE JUST SHOWS UP. 214 00:11:30,023 --> 00:11:31,258 WHAT ARE WE GONNA DO? 215 00:11:31,291 --> 00:11:32,860 WELL, I'LL TELL YOU WHAT WE'RE GOING TO DO. 216 00:11:32,893 --> 00:11:34,427 RIGHT NOW WE'RE GOING TO GO SIT IN MY OFFICE 217 00:11:34,461 --> 00:11:38,165 WE'RE GOING TO LOOK INTO EACH OTHERS' EYES ALL ALONE. 218 00:11:38,198 --> 00:11:41,368 OH, THAT SOUNDS SO WONDERFUL. 219 00:11:41,401 --> 00:11:44,104 SAM, DIANE. WHERE HAVE YOU BEEN? 220 00:11:44,137 --> 00:11:46,874 COACH, I'M SORRY. I OVERSLEPT. 221 00:11:46,907 --> 00:11:49,943 WE WERE UP KINDA LATE LAST NIGHT WATCHING... 222 00:11:49,977 --> 00:11:52,245 "MOTHRA VERSUS GODZILLA". 223 00:11:52,279 --> 00:11:55,282 YEAH, BOY, WAS I DISAPPOINTED IN THAT ONE. 224 00:11:55,315 --> 00:11:57,217 SAM. MM-HMM. 225 00:11:57,250 --> 00:11:59,820 WE'VE GOT TO DRAW THE LINE. 226 00:11:59,853 --> 00:12:01,989 THERE'S NO WAY THAT WE'RE GOING TO SPEND 227 00:12:02,022 --> 00:12:03,490 THE EVENING WITH COACH TONIGHT. 228 00:12:03,523 --> 00:12:06,760 YOU'RE RIGHT. YOU'RE ABSOLUTELY RIGHT. 229 00:12:06,794 --> 00:12:08,762 WE GOING TO GET TOGETHER TONIGHT? 230 00:12:08,796 --> 00:12:10,764 YOU BET. 231 00:12:10,798 --> 00:12:13,000 GREAT. 232 00:12:15,568 --> 00:12:17,537 ALL RIGHT, ALL RIGHT. 233 00:12:17,570 --> 00:12:20,107 NOW, THERE'S ONLY ONE SOLUTION TO THIS PROBLEM. 234 00:12:20,140 --> 00:12:22,209 YOU HAVE TO TELL THE COACH 235 00:12:22,242 --> 00:12:24,878 TO STOP HANGING AROUND WITH US. 236 00:12:24,912 --> 00:12:26,814 DIANE'S RIGHT, SAM. 237 00:12:26,847 --> 00:12:28,548 YOU DON'T WANT COACH HANGING AROUND, JUST TELL HIM. 238 00:12:28,581 --> 00:12:31,051 THAT'S THE HONEST, ETHICAL WAY TO APPROACH IT. 239 00:12:31,084 --> 00:12:32,552 MAYBE YOU'RE RIGHT. 240 00:12:32,585 --> 00:12:34,354 OF COURSE, IF YOU WANT TO MAKE IT EASIER ON COACH, 241 00:12:34,387 --> 00:12:37,925 WHY DON'T YOU JUST RIP OUT HIS HEART AND DO A TAP DANCE ON IT. 242 00:12:37,958 --> 00:12:39,226 NORMAN! 243 00:12:39,259 --> 00:12:40,393 I GOT IT, I GOT IT. HERE. 244 00:12:40,427 --> 00:12:41,494 WHAT? 245 00:12:41,528 --> 00:12:44,564 MAKE HIM THINK YOU'VE GOT A BAD DISEASE. 246 00:12:44,597 --> 00:12:47,034 GET REAL SKINNY 247 00:12:47,067 --> 00:12:50,537 AND YOU PAINT YOUR FACES WHITE AND PASTY. 248 00:12:50,570 --> 00:12:52,973 WALK AROUND LOOKING LIKE YOU'RE GOING TO THROW UP. 249 00:12:53,006 --> 00:12:55,108 UH-UH. YOU BETTER HURRY UP THERE. 250 00:12:55,142 --> 00:12:58,145 DIANE'S GOT A HEAD START. 251 00:13:02,415 --> 00:13:04,484 CLIFF. 252 00:13:04,517 --> 00:13:06,153 NORM. 253 00:13:06,186 --> 00:13:08,421 COACH LIKES YOU GUYS. 254 00:13:08,455 --> 00:13:11,892 WOULD YOU TAKE HIM OFF OUR HANDS JUST FOR TONIGHT, PLEASE! 255 00:13:11,925 --> 00:13:12,993 NO, NO, NO, SORRY, SAMMY. 256 00:13:13,026 --> 00:13:14,294 WE DON'T WANT COACH GETTING IN THE WAY 257 00:13:14,327 --> 00:13:16,864 WHEN WE'RE HUSTLING CHICKS, ALL RIGHT? 258 00:13:16,897 --> 00:13:19,099 I'M SORRY I ASKED. 259 00:13:19,132 --> 00:13:21,568 YOU KNOW, SAMMY, IT'S AGAINST MY BELIEF 260 00:13:21,601 --> 00:13:23,503 TO HELP YOU MAKE THINGS GO SMOOTH 261 00:13:23,536 --> 00:13:26,306 WITH THE SQUAWK BOX OVER THERE, 262 00:13:26,339 --> 00:13:28,275 BUT SINCE COACH IS INVOLVED, 263 00:13:28,308 --> 00:13:30,177 I'M GOING TO BEND THE RULES A LITTLE BIT. 264 00:13:30,210 --> 00:13:32,179 I HAPPEN TO KNOW HE HAS A CRUSH 265 00:13:32,212 --> 00:13:35,082 ON ONE OF THE TELLERS AT HIS BANK. 266 00:13:35,115 --> 00:13:36,349 YOU'RE SURE? 267 00:13:36,383 --> 00:13:38,919 YEAH. HE TALKS ABOUT HER A LOT. 268 00:13:38,952 --> 00:13:40,520 I DON'T KNOW HER NAME, BUT I FIGURE IF HE'S DATING HER, 269 00:13:40,553 --> 00:13:43,023 MAYBE SHE COULD TAKE HIM OFF YOUR HANDS. 270 00:13:43,056 --> 00:13:45,125 OH, THAT'S GOOD. OH, THAT'S GOOD. 271 00:13:45,158 --> 00:13:47,094 WHAT DO YOU SAY? IT'S WORTH A TRY, HUH? 272 00:13:47,127 --> 00:13:50,297 WELL, YOU KNOW, I THINK COACH WOULD BE EMBARRASSED BY A BLIND DATE. 273 00:13:50,330 --> 00:13:53,166 WHY DON'T WE PRETEND THAT SHE'S A FRIEND OF MINE? 274 00:13:53,200 --> 00:13:56,069 THAT WAY IT WILL LOOK LIKE A CHANCE MEETING. 275 00:13:56,103 --> 00:13:57,237 AH, COACH, COACH. 276 00:13:57,270 --> 00:13:59,272 MAYBE YOU CAN HELP ME OUT HERE. 277 00:13:59,306 --> 00:14:01,208 I'M SHOPPING AROUND FOR A NEW BANK. 278 00:14:01,241 --> 00:14:03,043 DO YOU LIKE YOURS? 279 00:14:03,076 --> 00:14:05,178 OH, I LOVE IT. THE BAY HARBOR SAVINGS AND LOAN, 280 00:14:05,212 --> 00:14:06,413 RIGHT DOWN THE STREET. 281 00:14:06,446 --> 00:14:08,181 UH-HUH. DO YOU LIKE THE TELLERS THERE? 282 00:14:08,215 --> 00:14:10,083 OH, THEY'RE TERRIFIC. 283 00:14:10,117 --> 00:14:12,119 IS THERE ONE YOU THINK THAT I SHOULD TALK TO-- 284 00:14:12,152 --> 00:14:13,887 FRIENDLY, NICE, CUTE? 285 00:14:13,921 --> 00:14:15,855 UH...FRANK. 286 00:14:17,590 --> 00:14:19,592 WHO'S THE ONE THAT YOU'RE ALWAYS TALKING TO? 287 00:14:19,626 --> 00:14:21,661 OH, YOU MEAN THE CUTE REDHEAD WITH THE NICE SMILE 288 00:14:21,694 --> 00:14:23,263 THAT'S ALWAYS WINKING AT ME? 289 00:14:23,296 --> 00:14:25,632 YEAH! THAT'S FRANK. 290 00:14:25,665 --> 00:14:29,236 HEY, COACH. ISN'T THERE-- ISN'T THERE A WOMAN 291 00:14:29,269 --> 00:14:32,372 THAT YOU LIKE AT THE BANK THERE, HUH? 292 00:14:32,405 --> 00:14:35,575 OH...EDWINA. 293 00:14:35,608 --> 00:14:39,112 EDWINA AT BAY HARBOR SAVINGS AND LOAN? 294 00:14:39,146 --> 00:14:40,680 ISN'T THAT'S FUNNY. SHE'S A FRIEND OF MINE. 295 00:14:40,713 --> 00:14:42,415 WELL, IF SHE'S A FRIEND OF YOURS, 296 00:14:42,449 --> 00:14:45,152 THEN YOU SHOULD KNOW FRANK, 'CAUSE THEY'RE MARRIED. 297 00:14:45,185 --> 00:14:46,419 NO, NO, COACH. 298 00:14:46,453 --> 00:14:48,621 WHO'S THE ONE WHO YOU SAID 299 00:14:48,655 --> 00:14:51,091 WAS A NICE LADY LAST THURSDAY? 300 00:14:51,124 --> 00:14:53,560 THURSDAY...STELLA! STELLA! 301 00:14:53,593 --> 00:14:55,328 STELLA! THAT'S MY FRIEND. 302 00:14:55,362 --> 00:14:56,696 NO, NOT STELLA. NOT STELLA. 303 00:14:56,729 --> 00:14:59,366 I'M NOT TOO CRAZY ABOUT STELLA. 304 00:14:59,399 --> 00:15:00,968 I MEANT DOROTHY. 305 00:15:01,001 --> 00:15:02,435 YES! SO DID I! 306 00:15:03,736 --> 00:15:06,073 DOROTHY IS THE ONE YOU LIKE, RIGHT? 307 00:15:06,106 --> 00:15:08,108 OH, YES, SAM, DOROTHY'S VERY NICE. 308 00:15:08,141 --> 00:15:09,309 EXCUSE ME. 309 00:15:12,112 --> 00:15:13,713 BUT NOT AS NICE AS JULIA. 310 00:15:13,746 --> 00:15:15,248 SAM! 311 00:15:16,749 --> 00:15:18,952 WHAT AM I THINKING OF? 312 00:15:18,986 --> 00:15:20,653 THAT'S THE GROCERY STORE. 313 00:15:20,687 --> 00:15:22,722 AT THE BANK, NOBODY CAN BEAT SANDRA. 314 00:15:22,755 --> 00:15:24,124 SANDRA! 315 00:15:24,157 --> 00:15:26,159 THAT'S MY FRIEND. 316 00:15:26,193 --> 00:15:28,996 AH, GEE! 317 00:15:29,029 --> 00:15:30,363 WHAT IS IT, COACH? 318 00:15:30,397 --> 00:15:32,432 NOT SANDRA. IT'S ANITA. 319 00:15:32,465 --> 00:15:34,467 I'LL TAKE THIS. 320 00:15:37,270 --> 00:15:40,040 OHH! OHH! OHH! 321 00:15:40,073 --> 00:15:41,674 WHAT? WRONG GIRL, COACH? 322 00:15:41,708 --> 00:15:44,177 NO, NO, NO, NO, NO. WRONG BANK. 323 00:16:01,761 --> 00:16:03,363 AHH. 324 00:16:03,396 --> 00:16:04,764 WELL, KATHERINE... 325 00:16:04,797 --> 00:16:06,533 DIDN'T YOU LOVE THAT MEAL? 326 00:16:06,566 --> 00:16:08,035 OH, IT WAS VERY NICE. 327 00:16:08,068 --> 00:16:09,602 LET ME TAKE YOUR SWEATER. 328 00:16:09,636 --> 00:16:11,704 I'M JUST GLAD WE HAD COACH ALONG. 329 00:16:11,738 --> 00:16:13,540 NOTHING LIKE HAVING AN ITALIAN 330 00:16:13,573 --> 00:16:15,142 WHO KNOWS JUST EXACTLY WHAT TO ORDER 331 00:16:15,175 --> 00:16:16,643 IN AN ITALIAN RESTAURANT. 332 00:16:16,676 --> 00:16:18,311 IT WAS WONDERFUL, COACH. 333 00:16:18,345 --> 00:16:19,646 WHAT WAS THAT DISH CALLED AGAIN? 334 00:16:19,679 --> 00:16:22,382 SPAGHETTI FOR FOUR. 335 00:16:22,415 --> 00:16:24,651 THEY GOT A BETTER ONE, THOUGH, IT'S SPAGHETTI FOR SIX, 336 00:16:24,684 --> 00:16:26,586 BUT YOU NEED MORE PEOPLE. 337 00:16:28,588 --> 00:16:31,024 WELL, I'VE GOT COFFEE ALL SET, I JUST HAVE TO PLUG IT IN. 338 00:16:31,058 --> 00:16:32,659 GO AHEAD, SIT DOWN AND MAKE YOURSELVES AT HOME. 339 00:16:32,692 --> 00:16:34,394 ALL RIGHT. HERE YOU GO. 340 00:16:34,427 --> 00:16:35,562 OOH. 341 00:16:35,595 --> 00:16:37,597 WELL. OH, AH. 342 00:16:37,630 --> 00:16:40,467 AH. WELL. 343 00:16:40,500 --> 00:16:42,602 WELL. 344 00:16:42,635 --> 00:16:47,240 YOU KNOW SOMETHING, SAM? I CAN'T GET OVER THE FACT THAT DIANE KNEW KATHERINE, 345 00:16:47,274 --> 00:16:51,278 MY FAVORITE TELLER AT FIRST FIDELITY. 346 00:16:51,311 --> 00:16:54,681 WELL, IT'S A SMALL WORLD, I GUESS, COACH. 347 00:16:54,714 --> 00:16:57,117 YEAH, AND ANOTHER THING, SHE SEEMS TO KNOW EVERYBODY 348 00:16:57,150 --> 00:16:59,319 IN EVERY BANK THAT I EVER DEALT WITH. 349 00:16:59,352 --> 00:17:01,688 WELL, YOU KNOW HOW FRIENDLY SHE IS. 350 00:17:01,721 --> 00:17:06,226 OH, DIANE, HOW DID YOU AND KATHERINE COME TO MEET? 351 00:17:06,259 --> 00:17:09,229 [BOTH TALKING AT ONCE] 352 00:17:09,262 --> 00:17:10,397 OH, THAT'S ALL RIGHT, HONEY. 353 00:17:10,430 --> 00:17:12,265 SOMETIMES I FORGET THINGS, TOO. 354 00:17:12,299 --> 00:17:13,633 OR DO I? 355 00:17:13,666 --> 00:17:15,568 [LAUGHS] 356 00:17:15,602 --> 00:17:18,171 COACH, YOU TICKLE ME. ARE YOU ALWAYS THIS FUNNY? 357 00:17:18,205 --> 00:17:19,806 OH, I DOUBT IT. 358 00:17:19,839 --> 00:17:21,708 [LAUGHS] 359 00:17:26,379 --> 00:17:28,448 SO, UM... 360 00:17:28,481 --> 00:17:30,117 KATHERINE, WHAT'S NEW AND EXCITING 361 00:17:30,150 --> 00:17:32,319 IN THE WORLD OF HIGH FINANCE? 362 00:17:32,352 --> 00:17:33,853 OH, NOTHING THAT I KNOW OF. 363 00:17:33,886 --> 00:17:36,356 THE MOST EXCITING MOMENT FOR ME 364 00:17:36,389 --> 00:17:38,225 IS TRYING TO CATCH SOMEBODY PLAYING WITH THEIR LIPS 365 00:17:38,258 --> 00:17:40,760 ON THE CLOSED CIRCUIT TV. 366 00:17:40,793 --> 00:17:43,062 I KNEW YOU LOOKED FAMILIAR. 367 00:17:46,199 --> 00:17:47,834 SIT DOWN, DIANE. OK. 368 00:17:49,369 --> 00:17:50,703 WELL... 369 00:17:50,737 --> 00:17:52,739 I THINK BANKING IS FASCINATING. 370 00:17:52,772 --> 00:17:55,275 THERE ARE SO MANY FACETS. 371 00:17:55,308 --> 00:17:57,710 SO MANY THINGS I'VE ALWAYS WONDERED ABOUT. 372 00:17:57,744 --> 00:17:59,746 YEAH. ME, TOO, YOU KNOW, DIANE? 373 00:17:59,779 --> 00:18:01,214 LIKE WHAT? 374 00:18:01,248 --> 00:18:02,782 WELL, LIKE TELLERS. YOU TAKE TELLERS. 375 00:18:02,815 --> 00:18:03,816 THEY NEVER TELL YOU ANYTHING. 376 00:18:03,850 --> 00:18:05,618 THEY ALWAYS ASK QUESTIONS. 377 00:18:05,652 --> 00:18:07,387 AND INTEREST. 378 00:18:07,420 --> 00:18:08,588 THERE'S NOTHING INTERESTING ABOUT IT AT ALL. 379 00:18:08,621 --> 00:18:10,790 IT'S BORING. OH, AND THEN 380 00:18:10,823 --> 00:18:12,425 THE TRUST DEPARTMENT. 381 00:18:12,459 --> 00:18:13,826 THEY GOT ALL THE PENS CHAINED DOWN TO THE TABLES. 382 00:18:13,860 --> 00:18:16,496 WHAT KIND OF TRUST IS THAT? 383 00:18:16,529 --> 00:18:18,665 OH, THERE HE GOES AGAIN. YOU'RE JUST TOO MUCH. 384 00:18:18,698 --> 00:18:21,268 OH. A LITTLE GIDDY, BUT NICE. 385 00:18:23,370 --> 00:18:26,373 OH, OH, MY GOODNESS. LOOK AT THE TIME. 386 00:18:26,406 --> 00:18:28,241 I'VE GOT TO GET UP AT THE CRACK OF DAWN. 387 00:18:28,275 --> 00:18:29,642 IT'S BEEN A WONDERFUL EVENING. 388 00:18:29,676 --> 00:18:31,478 I'LL TAKE A RAIN CHECK ON THE COFFEE, DIANE. 389 00:18:31,511 --> 00:18:33,146 OH, TOO BAD. 390 00:18:33,180 --> 00:18:34,214 YEAH, IT IS GETTING KIND OF LATE. 391 00:18:34,247 --> 00:18:37,184 KATHERINE, CAN I SEE YOU GET HOME OK? 392 00:18:37,217 --> 00:18:39,419 OH, WELL, THANKS, COACH, I'D LIKE THAT. 393 00:18:39,452 --> 00:18:41,288 GOOD NIGHT, DIANE. GOOD NIGHT. 394 00:18:41,321 --> 00:18:42,789 THANK YOU. THANK YOU. 395 00:18:42,822 --> 00:18:43,923 GOOD NIGHT, SAM. YES, GOOD NIGHT. 396 00:18:43,956 --> 00:18:45,292 THANK YOU. OH, YES, YOU'RE WELCOME. 397 00:18:45,325 --> 00:18:45,892 GOOD NIGHT. WE'LL DO IT AGAIN. 398 00:18:45,925 --> 00:18:47,594 ABSOLUTELY. BYE. 399 00:18:52,265 --> 00:18:53,766 OH, I THINK THIS JUST GOES TO SHOW YOU 400 00:18:53,800 --> 00:18:56,236 THAT STICKY SITUATIONS ARE BEST HANDLED 401 00:18:56,269 --> 00:18:59,172 WITH LIES, DECEIT, AND TRICKERY. 402 00:18:59,206 --> 00:19:01,941 AND NOW FOR A LITTLE ROMANCE. 403 00:19:01,974 --> 00:19:03,410 HEH HEH HEH... 404 00:19:03,443 --> 00:19:05,578 OH, YEAH. 405 00:19:05,612 --> 00:19:08,215 A LITTLE HUG... 406 00:19:08,248 --> 00:19:10,783 A LITTLE KISS... 407 00:19:10,817 --> 00:19:12,585 [KNOCK ON DOOR] 408 00:19:12,619 --> 00:19:14,487 A LITTLE COACH. 409 00:19:14,521 --> 00:19:16,189 EXCUSE ME. 410 00:19:17,790 --> 00:19:20,560 I THOUGHT YOU WERE GOING TO SHOW KATHERINE HOME. 411 00:19:20,593 --> 00:19:21,961 I DID. 412 00:19:21,994 --> 00:19:24,697 I SHOWED HER WHERE THE BUS STOP IS. 413 00:19:24,731 --> 00:19:27,400 YOU PROBABLY DIDN'T NOTICE, 414 00:19:27,434 --> 00:19:29,569 BUT THAT DAME HAD THE HOTS FOR ME. 415 00:19:29,602 --> 00:19:31,671 COACH, WHAT'S WRONG WITH THAT? YEAH! 416 00:19:31,704 --> 00:19:33,440 LOOK, SAM, SHE'S VERY NICE, 417 00:19:33,473 --> 00:19:35,608 BUT SHE DOESN'T FIT IN WITH THE THREE OF US. 418 00:19:35,642 --> 00:19:37,844 SHE'S LIKE A FOURTH WHEEL. I GOTTA SOME COOKIES. 419 00:19:43,783 --> 00:19:46,386 WELL, WHAT DO WE DO NOW? 420 00:19:46,419 --> 00:19:48,421 DIANE, I THINK IT'S TIME TO TELL THE TRUTH. 421 00:19:48,455 --> 00:19:49,756 GOOD. 422 00:19:49,789 --> 00:19:51,591 I'LL HANDLE THIS. 423 00:19:51,624 --> 00:19:54,294 COACH, GET OUT HERE. 424 00:19:54,327 --> 00:19:55,562 WANT ONE? 425 00:19:55,595 --> 00:19:56,829 NO. 426 00:19:56,863 --> 00:19:58,998 LISTEN, COACH. I... 427 00:19:59,031 --> 00:20:01,568 I'M GOING TO TELL YOU SOMETHING, 428 00:20:01,601 --> 00:20:03,470 AND I DON'T CARE IF THIS HURTS YOUR FEELINGS. 429 00:20:03,503 --> 00:20:05,872 I'M JUST GOING TO TELL YOU OUT STRAIGHT HERE. 430 00:20:05,905 --> 00:20:07,474 WELL, WHAT? WHAT IS IT? 431 00:20:07,507 --> 00:20:11,644 DIANE DOESN'T WANT YOU HANGING AROUND US ANYMORE. 432 00:20:11,678 --> 00:20:13,546 WHAT? 433 00:20:13,580 --> 00:20:15,248 THAT'S NOT TRUE AT ALL! 434 00:20:15,282 --> 00:20:16,616 SAM DOESN'T WANT YOU AROUND. 435 00:20:16,649 --> 00:20:18,785 I LOVE HAVING YOU AROUND. 436 00:20:18,818 --> 00:20:21,254 NO, NO, NO, I LOVE HAVING HIM AROUND MORE THAN YOU DO. 437 00:20:21,288 --> 00:20:24,657 AS A MATTER OF FACT, I LOVE HAVING HIM AROUND MORE THAN HAVING YOU AROUND. 438 00:20:24,691 --> 00:20:26,593 WELL, FINE, WHY DON'T YOU AROUND RIGHT OUT THE DOOR... 439 00:20:26,626 --> 00:20:28,728 [ALL TALKING AT ONCE] 440 00:20:28,761 --> 00:20:31,298 SAM, PLEASE STOP. DIANE... 441 00:20:31,331 --> 00:20:32,932 KIDS, HOLD IT, PLEASE. 442 00:20:32,965 --> 00:20:35,668 LOOK, I'M BEGINNING TO SEE THE LIGHT ABOUT SOMETHING HERE. 443 00:20:35,702 --> 00:20:37,570 YOU BOTH HAVE SOMETHING TO TELL ME 444 00:20:37,604 --> 00:20:38,938 BUT YOU DON'T HAVE THE GUTS TO TELL ME, RIGHT? 445 00:20:38,971 --> 00:20:40,507 WELL, I DO. DIANE DOESN'T. 446 00:20:40,540 --> 00:20:42,509 WELL, THEN WHAT IS IT? SAY IT. 447 00:20:42,542 --> 00:20:45,712 COME ON, SAM. SAY IT. 448 00:20:47,647 --> 00:20:50,016 LOOK, WHEN YOU WERE A DRUNK AND NOBODY TOLD YOU, 449 00:20:50,049 --> 00:20:52,585 I TOLD YOU YOU WERE A DRUNK, DIDN'T I? I TOLD YOU. 450 00:20:52,619 --> 00:20:54,287 OVER AND OVER AND OVER AGAIN. 451 00:20:54,321 --> 00:20:56,055 WELL, YOU REALLY WERE A DRUNK, SAM. 452 00:20:56,088 --> 00:20:57,690 I KNOW. 453 00:20:57,724 --> 00:21:00,660 I MEAN YOU WERE REALLY A DRUNK, SAM! 454 00:21:00,693 --> 00:21:02,629 COACH, DON'T START AGAIN. 455 00:21:02,662 --> 00:21:04,997 LOOK, WHAT KIND OF A FRIENDSHIP IS SO WEAK 456 00:21:05,031 --> 00:21:08,335 THAT WE JUST CAN'T COME OUT AND TELL EACH OTHER THE TRUTH? 457 00:21:10,002 --> 00:21:13,673 YOU'RE RIGHT. YOU'RE RIGHT, UH... 458 00:21:13,706 --> 00:21:17,410 WE JUST DON'T WANT YOU HANGING AROUND US SO MUCH. 459 00:21:23,616 --> 00:21:25,452 IF YOU DON'T WANT ME, IT'S FINE, OK. 460 00:21:25,485 --> 00:21:26,753 I'M NOT MAD. 461 00:21:26,786 --> 00:21:28,355 IT'S FINE. 462 00:21:28,388 --> 00:21:31,391 I-I-I'LL SEE YOU. 463 00:21:34,761 --> 00:21:36,763 BUT, SAM, YOU REALLY WERE A DRUNK. 464 00:21:51,878 --> 00:21:54,080 GOOD MORNING, NORM. 465 00:21:54,113 --> 00:21:55,948 WHERE IN THE HECK HAVE YOU BEEN? 466 00:21:55,982 --> 00:21:57,484 IS MY WATCH FAST OR SOMETHING? 467 00:21:57,517 --> 00:22:00,720 SORRY, NORM. WE HAD KIND OF A DIFFICULT EVENING. 468 00:22:00,753 --> 00:22:02,455 OH, BOY. WE FINALLY HAD TO TELL THE COACH 469 00:22:02,489 --> 00:22:05,625 WE DIDN'T WANT TO SEE HIM ANYMORE. 470 00:22:05,658 --> 00:22:06,993 IT WAS TERRIBLE. 471 00:22:07,026 --> 00:22:08,661 EVEN WORSE THAN WE FEARED. 472 00:22:08,695 --> 00:22:11,464 SPENT HALF THE NIGHT ARGUING ABOUT WHO WAS TO BLAME. 473 00:22:11,498 --> 00:22:14,767 YOU SHOULD-- DIANE, UH... 474 00:22:14,801 --> 00:22:17,837 NORM! NORM! 475 00:22:17,870 --> 00:22:19,972 NORMAN... 476 00:22:20,006 --> 00:22:22,575 GOOD MORNING, EVERYBODY. 477 00:22:22,609 --> 00:22:25,111 HOW ARE YOU TODAY, NORMAN? 478 00:22:25,144 --> 00:22:27,647 OH, AS IF YOU CARED. 479 00:22:27,680 --> 00:22:29,081 SO COACH DIDN'T TAKE TOO WELL 480 00:22:29,115 --> 00:22:31,618 TO GETTING THE OLD HEAVE-HO? 481 00:22:31,651 --> 00:22:33,820 OH, HE WAS DESTROYED. HE TRIED TO COVER, 482 00:22:33,853 --> 00:22:36,489 BUT THERE WAS NO MASKING THE INTENSE PAIN 483 00:22:36,523 --> 00:22:39,426 THAT SAM INFLICTED ON HIS DEEPEST BEING. 484 00:22:39,459 --> 00:22:40,693 HEY, COME ON, DON'T START WITH ME AGAIN. 485 00:22:40,727 --> 00:22:42,762 IF I RECALL, YOU DID MOST OF THE TALKING. 486 00:22:42,795 --> 00:22:44,497 SAM... 487 00:22:44,531 --> 00:22:46,999 WHAT DIFFERENCE DOES IT MAKE WHO DID IT? 488 00:22:47,033 --> 00:22:51,404 THE POINT IS THE COACH HAS BEEN CRUSHED. 489 00:22:51,438 --> 00:22:52,839 WE HAVE TO LIVE WITH THAT... 490 00:22:52,872 --> 00:22:55,842 ESPECIALLY YOU. 491 00:22:55,875 --> 00:22:57,777 COME ON. IT WAS YOUR IDEA. 492 00:22:57,810 --> 00:22:59,078 YOU INSISTED. 493 00:22:59,111 --> 00:23:00,980 I--THAT'S THE MOST-- 494 00:23:01,013 --> 00:23:02,749 AHEM! LISTEN, LISTEN. 495 00:23:02,782 --> 00:23:05,552 I WANT TO KNOW WHICH ONE OF YOU TWO KIDS GOT THE IDEA FIRST 496 00:23:05,585 --> 00:23:08,555 TO THROW ME OUT ON MY BUTT LAST NIGHT? 497 00:23:08,588 --> 00:23:11,057 COME ON. I WANT TO KNOW RIGHT NOW. 498 00:23:11,090 --> 00:23:13,460 AW, COME ON, COACH. 499 00:23:13,493 --> 00:23:14,727 WHAT DIFFERENCE DOES IT MAKE 500 00:23:14,761 --> 00:23:15,962 WHOSE FAULT IT WAS? 501 00:23:15,995 --> 00:23:17,464 IT'S DONE. 502 00:23:17,497 --> 00:23:19,732 WE BOTH HAVE TO SHARE THE BLAME. 503 00:23:21,734 --> 00:23:24,203 YES, THE IMPORTANT THING IS THAT WE-- 504 00:23:24,236 --> 00:23:27,707 WE SHOWED YOU OUR FEELINGS. 505 00:23:27,740 --> 00:23:30,443 HONESTY WAS OUR ONLY RECOURSE. 506 00:23:30,477 --> 00:23:34,080 YEAH, ABSOLUTELY. ABSOLUTELY. IT WAS A MUTUAL DECISION. 507 00:23:36,148 --> 00:23:38,718 WELL, LISTEN, WHOEVER IT WAS, 508 00:23:38,751 --> 00:23:40,987 I WANT TO THANK HIM FROM THE BOTTOM OF MY HEART, 509 00:23:41,020 --> 00:23:42,922 BECAUSE WHAT HAPPENED WAS, 510 00:23:42,955 --> 00:23:44,991 I CAUGHT UP WITH KATHERINE AT THE BUS STOP 511 00:23:45,024 --> 00:23:47,159 AND I TOOK HER HOME. 512 00:23:47,193 --> 00:23:48,861 AND WE GOT TO KNOW EACH OTHER, 513 00:23:48,895 --> 00:23:51,631 AND I THINK SHE'S A WONDERFUL WOMAN IN THE WORLD. 514 00:23:51,664 --> 00:23:54,567 I HAVEN'T BEEN THIS HAPPY IN YEARS. 515 00:23:54,601 --> 00:23:55,935 OH, COACH, THAT'S WONDERFUL NEWS! 516 00:23:55,968 --> 00:23:57,870 YOU DON'T KNOW HOW HAPPY WE ARE. 517 00:23:57,904 --> 00:24:02,475 AND THE FACT THAT THE TWO OF US HAD ANYTHING TO DO WITH IT 518 00:24:02,509 --> 00:24:04,511 MAKES US FEEL EVEN BETTER. 519 00:24:04,544 --> 00:24:05,778 OH, YEAH. ABSOLUTELY, COACH. 520 00:24:05,812 --> 00:24:07,847 JUST THINK OF IT AS THE TWO OF US 521 00:24:07,880 --> 00:24:09,816 HAVING BEEN ABLE TO DO SOMETHING FOR YOU. 522 00:24:09,849 --> 00:24:11,884 OK? 523 00:24:13,720 --> 00:24:15,221 SAY, NORMIE, 524 00:24:15,254 --> 00:24:17,524 AREN'T THEY A WONDERFUL COUPLE?